Tags: la

From human hands. · Mass-Driver

This is beautifully written.

“Radharc álainn” I said. Beautiful view.

“Nach ea!” he replied. Isn’t it?

He sounded surprised to be addressed in Irish. We were, after all, very far from Erin’s shores. The beautiful view in question was of the bay of Loggos on the Greek island of Paxos. But I knew that this person was a fluent Irish speaker. That’s why I figured he wouldn’t mind a chat as Gaeilge while we were both strolling along.

I was talking with Liam Ó Maonlaí. We were both on Paxos for the same reason; the annual Irish Wings festival, a small gathering of Irish and Greek musicians. Liam was there to play. Myself and Jessica were there to listen.

Of course we were also there to soak up the sun, swim in the crystal clear water, eat Greek food, and savour the very relaxed pace of life.

We had a lovely chat with Liam and his partner Marion. I didn’t tell him that I went to see Hothouse Flowers on multiple occasions in Cork city in the 1980s. I’m sure he gets plenty of that. But I probably should’ve mentioned how much I really enjoy his programme Cuan an Cheoil. There’s nothing I like better on a Sunday afternoon than to relax with one of the black and white videos on YouTube, listening to music and conversation in Irish.

The island of Paxos is small and the village of Loggos is really small, so it wasn’t all that surprising that we’d bump into the Irish musicians there for the festival. We met Muireann Nic Amhlaoibh on the beach and again, she seemed really pleased that we spoke Irish with her. And it was also lovely to see our friend Dónal O’Connor who we’ll be seeing again very soon at his excellent Belfast Tradfest.

It was really nice to have the opportunity to speak Irish with three excellent musicians, all from different Irish-speaking regions; Liam from Dublin, Muireann from the Aran Islands and West Kerry, and Donal from the Oriel region of county Louth.

We also saw Neil Finn. I didn’t say anything to him. I don’t know if he speaks any Irish.

The AI Resist List

Nothing about the current trajectory of AI development is inevitable. It was shaped by the thousands of subjective decisions of a tiny elite, and continues its march based on the active participation and tacit consent of people globally.

It started in Dublin. Myself and Jessica got there in the afternoon and I went straight to The Cobblestone in Smithfield for some tunes.

Then I went up the street to the headquarters of Na Píobairí Uilleann, a beautiful Georgian building on Henrietta Street.

I was there to deliver my talk on the making of The Session. There weren’t that many people there in person but quite a few people watched it live online. You can watch the video of the talk if you want. I’m pretty pleased with it. The few times I played some tunes on my mandolin, the acoustics were lovely!

The next day we took the train down to Cork and onwards to my home town of Cobh. The town was looking its best. The weather was nice and the Queen Anne was docked at the deep water quay.

We spent a lovely weekend hanging out with my mother, including a trip to Cork to see Michael Keegan Dolan’s latest dance piece, Naoi Déag Seachtó Cúig. It was joyous! Normally I’d get irrated by someone in the seat behind me tapping their foot, but everyone was tapping along to the classic first album by The Bothy Band.

On Monday morning Jessica flew back to Brighton, leaving me to spend the week at the inaugural Irish Mandolin Gathering.

When I saw that this event was going to be happening, I thought “I’m going! Wherever it’s going to be, I’ll make my way there.” Then I saw it was happening in Little Island and I couldn’t believe my luck! Little Island is halfway between Cobh and Cork, easily reachable on the local trainline.

So I spent the week having a very pleasant commute. This was when the temperatures were getting dangerously high in England, but remained within reason in Ireland. Whenever anyone at the Mandolin gathering complained about the heat, I couldn’t help pointing out that we were actually in the coolest place in Europe for that week.

The mandolin nerdery was excellent. Lots of deep dives into technique, lots of trying out other people’s instruments, and of course, lots of playing tunes. Seán, Macdara, and Marla did a fantastic job, especially considering that this was the very first one!

The inaugural Irish Mandolin Gathering culminated with a concert at The White Horse in Ballincollig, which was excellent but every time it was mentioned, I had that John Spillane song in my head.

Now I’m back home and feeling recharged from a thoroughly enjoyable week in Ireland. Next time I’ll be there will be for a week of learning Irish at Oideas Gael in Donegal—táim ar bís!

This is a collection of short stories by one of Ireland’s best playwrights.

I think you can tell that these stories were written by someone who’s at home with the stage. The dialogue really shines. And some of the stories feel like scenes in a play.

But that’s no bad thing. If most short stories are like mini-novels, why not have short stories that are like mini-plays?

Some of the stories are very short indeed, just long enough to convey the mood of the piece. That mood is often wistful, melancholy, or nostalgiac.

This collection comes with an equally brief introduction by the brilliant Louise Kennedy.

This slim volume makes for a great travel read. Slip it into your pocket and you’ll have an instant portal to a bygone time and place in the west of Ireland.

CSS Grid Lanes has started to ship in browsers. It’s in Safari and behind a flag in Chrome and Edge.

It enables masonry layouts, where items get packed together in the most efficient way possible.

Unsurprisingly, I’m a fan of a layout tool where the browser does all the hard work. It very much aligns with the idea of declarative design; you specify the boundary conditions, and then browser does the maths and heavy lifting.

There’s a handy website called The Field Guide to Grid Lanes where you can play around with possibilities.

At the most recent CSS Day, Patrick Brosset gave a great talk showing what you could do with Grid Lanes. I immediately started playing around with it, and I spotted what I think could be a useful pattern…

Over on The Session, I added a little enhancement to the events and sessions listings recently. I make a call to the Google Places API to see if I can find a match for the venue, and if I do, pull in some photos.

Sidenote: right now there’s a major issue with this. None of the photos come with text descriptions. This is something I need to fix, and I’ve got some ideas on how to do that.

Anyway, these photos are just nice-to-haves so I’ve tucked them away into a details element with a simple summary like “Ten photos” or “Twenty photos”. If you open up that details element you get the photos in a horizontal swipable row. A carousel, if you will.

This works fine, but on larger screens I think it would be okay to show all the photos at once. That’s where Grid Lanes comes in.

Take a look at an event or a session in Safari to see what I mean.

Here’s the CSS that creates a carousel:

.gallery {
    display: flex;
    align-items: center;
    inline-size: fit-content;
    max-inline-size: 100%;
    overflow-inline: auto;
    scroll-snap-type: inline mandatory;
    overscroll-behavior-inline: contain;
    scroll-behavior: smooth;
    scrollbar-gutter: stable;
}
.gallery > * {
    flex-shrink: 0;
    scroll-snap-align: center;
}

And here’s the media query that turns it into a masonry layout:

@supports (display: grid-lanes) {
    @media all and (min-width: 56em) {
        .gallery {
            all: initial;
            display: grid-lanes;
            grid-template-columns: repeat(auto-fill, minmax(280px, 1fr));
            gap: 0.5em;
        }
        .gallery > * {
            inline-size: 100%;
        }
    }
}

I’m using all: initial to unset the previous styles, which is a bit of a sledgehammer but it works.

I think this could be a useful responsive design pattern. Masonry layouts are great for large screens but kind of rubbish for small screens where you end up with just a single column. Carousels aren’t much cop on large screens but maybe have their place on small screens where real estate is at a premium.

Oh, and needless to say, this is a progressive enhancement. If a browser doesn’t yet understand display: grid-lanes it continues to get the carousel layout.

The Field Guide to CSS Grid Lanes

This is a very handy playground for exploring the brand new masonry grid lanes layout.

AI and the Rise of Mediocrity

Simply put: AI thrives when our need for originality is low and our demand for mediocrity is high.

AI will fill the world with grindingly average texts, passable but derivative illustration and video, and unoriginal but functional new product designs.

What is being mechanized by AI is our tastes—our ability to discern quality (or originality) at all.

Bhí me i Londain an deireadh seachtaine seo caite mar gheall ar an Gaeltacht cois Tamaise. Cúpla lá iontach ba ea iad!

Bhí na ranganna ar siúl Dé Sathairn agus Dé Domhnaigh, ceithre huaire an chloig gach lá, i gColáiste na Rí. Bhí ceithre leibhéal ann—tosathóiri, meanleibhéal-iseal, meanleibhéal-ard, agus an ardleibhéal. Bhí gach rang lán le foghlaimeoirí.

Roghnaigh mé an rang meanleibhéal-ard agus bhí an leibhéal foirfe. D’fhreastail Jessica ar an rang tosathóirí agus dúirt sí go raibh a mhúinteor iontach deas freisin.

Bhraith sé aisteach a bheith ag labhairt Gaeilge i lár na phriomhcathair Shasana, ach bhain mé go leor sult as!

Roimh na ranganna, bhí imeachta ar siúl ar an Embasáid na hÉireann ar an tráthnóna Dé hAoine; taifeadadh beo ar an bpodchraoladh How To Gael le Louis Cantillon agus Doireann ní Ghlacáin. Éistim leis an podchraoladh, mar sin thapaigh mé an deis iad a fheiceáll beo. Mná cliste agus greanmhar is ea iad!

Bhí imeachta eile ar siúl ar an tráthnóna De Sathairn ach ní raibh mé ann. Chuaigh mé go dtí an teach tabhairne Brendan The Navigator i Highgate—i bhfad ó croílár na caithreach!—mar gheall go raibh seisiún ceoil ann. Seisiún iontach iontach deas a bhí ann le daoine fáiltiúil agus go leor poirt áille.

Beidh mé ar ais!

I enjoyed Kim Curran’s debut novel, The Morrigan, so when I saw a copy of her brand new book in the local library, I snapped it up.

Like The Morrigan, Brigid is modern retelling of Irish mythology, but in a very different time period. Whereas The Morrigan was set in a mythical time of the Fomorians and the Tuatha Dé Danann, Brigid is set in the relatively recent past of early Christian Ireland.

I was curious to see which Brigid this book would be about: the pagan goddess or the Christian saint?

Both, it turns out. The protagonist is the saint, but the narrator is the goddess. And they interact. It’s a clever framing device and for the most part, it works.

There are cameos a-plenty from the Christian pantheon like Patrick and Brendan the navigator but this is not the hagiography we learned in school. All the usual miracles are present and accounted for, but any supernatural powers aren’t ascribed to a Christian deity.

The world of Brigid isn’t so far removed from the world of The Morrigan after all.

Brigid isn’t a ground-breaking book, and it didn’t grab me as much as The Morrigan but it’s an enjoyable read nonetheless.

The value is in the difficulty - Annotations

We’ve seen this arc before, and music is the richest analogy.

Like Bruce Sterling always says:

Whatever happens to musicians happens to everybody.

Tito as Gaeilge

Last year Jeremy Keith blogged about completing Duolingo Irish, and I’ve added that as a goal for myself. I found myself in London with him in February at State of the Browser. It’s probably the last place you’d expect to hear Irish spoken, yet we had an earnest conversation over lunch, using as much as we could.

Having a proper conversation as Gaeilge with Paul was an absolute highlight for me!

Native Apps Should Be Avoided Whenever Possible — No One’s Happy

The browser is the security boundary. Websites operate within it. Native apps bypass it.

Like I said last year:

But there’s still one thing that native apps do better than the web. If you want to be able to monitor and track users to an invasive degree, the web can’t compete with the capabilities of native apps. That’s why you’ll see so many websites on your mobile device that implore to install their app from the app store.

This piece goes into the details:

Most native apps collect far more data than their website equivalents ever could. They request permissions to hardware, sensors, and background processes that browsers deliberately restrict. The third-party software embedded in these apps frequently transmits your location, device identifiers, and behavioral data to third parties before you even see a consent prompt.

I knew my writing students were using AI. Their confessions led to a powerful teaching moment | AI (artificial intelligence) | The Guardian

AI writing reminds me of Tennyson’s description of the beautiful Maud in the titular poem:

Faultily faultless, icily regular, splendidly null
Dead perfection; no more

The Boring Internet | Terry Godier

You cannot kill a federated thing by killing one node, the way you can kill a platform by changing one company.

Google’s Prompt API

No web standard should require you to agree to an advertising company’s “terms of use.”

I’m genuinely disheartened and angry that the Google Chrome team have done this. Never assume good faith from them again.

This is, hands-down, the most insultingly transparent attempt at web standards bullying I’ve ever seen, including past ones from Google, which is — and I cannot stress this point enough — a company that sells advertisements. This is miles more eyeroll-worthy than AMP, where you’ll recall that a legion of tight-smiling dorks wearing Alphabet lanyards tried to assure us that the only means of survival for the web itself was to funnel all of it through Google’s servers, and only use their very good advertisements instead of those bad other ones.

Anti-work | Go Make Things

But this obsession with hard work as a virtue, as a good and righteous thing to do, the glorification of toil and sweat and labor… that’s a tool the wealthy who don’t work for a living use to oppress those who do.

I concur.