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Tuesday, July 28th, 2026

The core musicians: fiddles, concertina, whistle, bodhrán, guitar, and more. A row of musicians including a cheeky young lad playing my mandolin. A pub literally packed to the rafters with musicians playing. The fiddles alone are beyond count. Connor Caldwell on fiddle and Joanne O'Connor playing my mandolin.

Tuesday night session in Belfast

Sunday, July 26th, 2026

Me with my mandolin and a cup of tea having a chat between tunes. A little child taking great delight in my mandolin that I'm encouraging him to strum. Jessica playing her fiddle with her eyes closed. Jessica with her fiddle smiling between tunes.

Today was a good day for sessions in Belfast!

Sunday, July 19th, 2026

Me standing on a path high on a green hilltop. The view down into a valley and a beach. Sinewy trees growing above a mossy stone wall. A neolithic structure in front of green hills under a blue sky.

Walking from glen to glen.

Wednesday, July 15th, 2026

Image to text

At The Web You Want event in Amsterdam last month, Léonie gave an absolutely fantastic talk. You can now read the whole thing: Accessibility is resistance!

She makes the very good point that generative tools are a necessary accessibility recourse when humans have failed to do their job properly.

Images without alt text? Somebody messed up. But this is damage that can be routed around with large language models.

So if you—like me—don’t like the idea of people using extractive generative tools made by the worst kind of people, pay heed:

If you want to resist AI, make accessibility part of everything you do, every decision you make, every product you design and build. Remove the need for people to use AI to compensate, and remember, accessibility is resistance.

Also last month, I wrote about enhancing images from a carousel to masonry using CSS Grid Lanes. Here’s the context:

Over on The Session, I added a little enhancement to the events and sessions listings recently. I make a call to the Google Places API to see if I can find a match for the venue, and if I do, pull in some photos.

Sidenote: right now there’s a major issue with this. None of the photos come with text descriptions. This is something I need to fix, and I’ve got some ideas on how to do that.

I was one of those people with a website that doesn’t have alt text for images. I was one of those people not doing their job.

The first fix I put in place was very much in keeping with the ethos of The Session. I added a form so that any member of the site can edit the alt text of the images in the carousel/masonry layout.

The Session is quite WikiPedia-like. Anyone can edit the track listings in the discography. Anyone can edit the details of any tune. Anyone can edit the details of any session or event. So it made sense to add one more thing that anyone can edit.

With that functionality in place, I put out the call:

If everyone were to take just one or two sessions or events and add alt text to the photos, it would really, really help make the site more accessible.

The community went to work and did a pretty good job.

But there are a lot images. I’d like to have a least some kind of alt text for all of them, even if it’s just a placeholder until someone gets around to adding something better.

I was going to have to use generative “AI”, wasn’t I?

Holding my nose, I investigated some alt-text-as-a-service APIs out there. I signed up for some trials and kicked the tyres. They were rubbish. I suspect most of them were vibe-coded.

The more I thought about it, the more I realised that I probably didn’t need the latest and greatest energy-guzzling large langauge models. Some good old-fashioned machine learning could do the trick here. I’m aiming to do a relatively straightforward transformation—image to text.

Check out the COCO project: Common Objects in Context. It’s a few years old now, but it’s basically a dataset that’s been trained on images.

Ah, but where did the training data come from?

All images in COCO were sourced from Flickr, a photo-sharing platform where users upload images under various Creative Commons licenses.

Works for me!

I found a model on Hugging Face that was created by Microsoft from the COCO data. Confusingly the model is called GIT. It’s nothing to do with version control. It stands for GenerativeImage2Text.

I downloaded the model and set to work creating a script to trawl through all those images and generate alt text if the image doesn’t already have one.

I should mention: the way that I store the alt text is not in a database, but in the file system. Every image has its own folder. Inside that folder there can also be a file called alt.txt.

So the script needed to loop through lots and lots of folders, generate alt text where needed, and save it into a text file in the same folder.

Python is the go-to language for working with models like GIT. But Python is not my strong suit, to put it mildly. And this was going to be a throwaway script that I was only going to use once. So I held my nose again and turned on Copilot in VSCode (I usually keep it switched off).

With the right instructions I was able to get a script that—crucially—I could read and understand. Then I switched off Copilot and had a shower to try to wash the shame away.

Long story short, the script worked.

The results are mostly fine. The alt text is functional. Sometimes it’s wrong, but not disastrously so. A human-generated image description will always be preferable, so any member of The Session can over-ride the placeholder alt text.

It took a few hours to loop through all those folders and generate all those text files. My laptop got hot. But doing it locally sure beats paying for tokens from the baddies.

Like Scott says:

While the utility is there, the current landscape of these frontier corporate models comes with massive ethical and environmental baggage. This is not a long term solution!

That’s exactly why my hope is that ethically trained open-weight models will eventually catch up and that in the next couple of years, we’ll have something with this level of capability that can run locally. That feels like a much better place to be with this technology.

Friday, July 10th, 2026

Memories Can’t Wait—or, How I Learned to Keep Worrying About the Web - Jeffrey Zeldman Presents

Digital memory is fragile not because bits decay (though they do), but because someone else owns the shelf.

Wednesday, July 8th, 2026

Speak at UX London 2027

Exactly one year from now, UX London 2027 will be wrapping up.

Mark your calendar: July 6th, 7th, and 8th, 2027. If you really want to be ahead of the curve, you can grab a very limited super early-bird ticket now before the price goes up.

I’m about to start putting the 2027 line-up together. The real reason why I’m mentioning an event that’s still a year away is that I’d like you to consider speaking at it. Yes, you.

Here’s the form you can fill out with your proposal. It can be a 30 minute talk or a 2.5 hour workshop.

Remember that UX London is a three-day event with each day having a specific theme:

  • Tuesday, July 6 is discovery day with an emphasis on research and related topics.
  • Wednesday, July 7 is design day, all about the nitty gritty aspects of actually making something; interface design, information architecture, accessibility.
  • Thursday, July 8 is delivery day focusing on continuous improvement, whether that’s through design systems, cross-team collaboration, or any other strategies.

So if you’ve got a topic that you think is particularly relevant to one of those days, be sure to mention that in your proposal.

It should go without saying that if your proposal is accepted, you will be paid to speak. Alas, I have to say it because there are some events out there that don’t even manage to reach that very low bar.

I’ll be honest and say I’m not that interested in hearing from people like me, a middle-aged white dude. We have more than enough opportunities to spout our opinions. I’d much rather hear from people from different backgrounds with different experiences.

Have a look at the most recent line-up to get an idea of the kind of folks you’re likely to see on the UX London roster. Feel free to contact any of the previous speakers to ask them how they found the experience. You can also peruse some pictures to get an idea of the vibe.

Oh, and if you want to give an entire talk about “AI”, there are plenty of other conferences for that. That doesn’t mean you can’t talk about large language models or other generative tools, just don’t make it the focus of the talk. UX London isn’t about specific tools. So you won’t see a talk about AI for the same reason you won’t see a talk about Figma. It’s what you accomplish with the tools that counts. Make that the focus of your proposal.

I’d love to hear from you so please, submit your proposal. Submissions close in December, but the sooner you submit your proposal, the better.

Gaeilge sa Ghréig

“Radharc álainn” I said. Beautiful view.

“Nach ea!” he replied. Isn’t it?

He sounded surprised to be addressed in Irish. We were, after all, very far from Erin’s shores. The beautiful view in question was of the bay of Loggos on the Greek island of Paxos. But I knew that this person was a fluent Irish speaker. That’s why I figured he wouldn’t mind a chat as Gaeilge while we were both strolling along.

I was talking with Liam Ó Maonlaí. We were both on Paxos for the same reason; the annual Irish Wings festival, a small gathering of Irish and Greek musicians. Liam was there to play. Myself and Jessica were there to listen.

Of course we were also there to soak up the sun, swim in the crystal clear water, eat Greek food, and savour the very relaxed pace of life.

We had a lovely chat with Liam and his partner Marion. I didn’t tell him that I went to see Hothouse Flowers on multiple occasions in Cork city in the 1980s. I’m sure he gets plenty of that. But I probably should’ve mentioned how much I really enjoy his programme Cuan an Cheoil. There’s nothing I like better on a Sunday afternoon than to relax with one of the black and white videos on YouTube, listening to music and conversation in Irish.

The island of Paxos is small and the village of Loggos is really small, so it wasn’t all that surprising that we’d bump into the Irish musicians there for the festival. We met Muireann Nic Amhlaoibh on the beach and again, she seemed really pleased that we spoke Irish with her. And it was also lovely to see our friend Dónal O’Connor who we’ll be seeing again very soon at his excellent Belfast Tradfest.

It was really nice to have the opportunity to speak Irish with three excellent musicians, all from different Irish-speaking regions; Liam from Dublin, Muireann from the Aran Islands and West Kerry, and Donal from the Oriel region of county Louth.

We also saw Neil Finn. I didn’t say anything to him. I don’t know if he speaks any Irish.

Sunday, July 5th, 2026

A plate which a huge piece of of grilled tuna steak and some chips. Looking down at two cats looking back up at me. One is black, the other is speckled grey. They’re both adorable.

My tuna brings all the cats to the yard 🐟🐈

Saturday, July 4th, 2026

Me standing in front of the harbour. The water is blue and the foliage is bright green. Green foliage frames blue green clear water with a large boulder near the shore. Me sitting casually at a table in the shade outside a restaurant with cute little buildings in the background. A sheltered harbour with crystal clear turquoise water showing a rocky seabed.

On Paxos

Friday, June 26th, 2026

Two men sitting on stage in front of a microphone, one playing mandolin and the other accompanying on guitar. A young man and a young woman sitting on stage in front of a microphone, both playing mandolin. A woman smiling and playing mandolin with a young man playing bouzouki on stage in front of a single microphone. Three mandolin players and one guitar player sitting and playing together on stage.

Mandolinists assemble!

Sunday, June 21st, 2026

A close up of Jessica on a pier with the town and the cathedral in the background.

It’s a beautiful day in Cobh.

Friday, June 19th, 2026

Me standing in front of the railings of the headquarters of Na Píobairí Uilleann. Me sitting down with my mandolin in an elegant room in front of a screen that reads; The Session. Me playing mandolin in a pub corner with a fiddler, flute player, and box player.

Slán, Baile Átha Cliath!

Friday, June 12th, 2026

The Field Guide to CSS Grid Lanes

This is a very handy playground for exploring the brand new masonry grid lanes layout.

Friday, June 5th, 2026

Me on stage in a loud red paisley shirtt with a microphone in one and a clipboard in the other. Four passengers on the mocked-up London bus that reads: I heart UX London. I'm one of the faces poking out; we've all got beer bottles in our hands. Nine other Clearlefties and me, all lined up for a group photo; everyone's wearing black Clearleft T-shirts except for me in my blue denim shirt.

I had a thoroughly enjoyable three days of hosting UX London this week and met such lovely people at the event—thank you to everyone who came!

Saturday, May 23rd, 2026

Me posing like a chef outside the Irish Embassy in front of the Irish language sign. Me in a short-sleeved shirt a pint of Guinness on the roof of the Devonshire.

Londoning

Friday, May 22nd, 2026

Me dressed in a summery shirt posing next to a screenshot of The Session behind glass. The label reads: The Session, digital print, with permission from Jeremy Keith, The Session.

At the Royal College of Music Museum, where the new exhibit features thesession.org!

Monday, May 11th, 2026

WebKit Features for Safari 26.5 | WebKit

Fixed an issue on iOS and iPadOS where datalist suggestions were presented directly over the associated input, obscuring it.

Phew!

Wednesday, April 29th, 2026

Two Paradigms for Enhancing HTML Tags | That HTML Blog

This really gets to the heart of one of the biggest benefits of HTML web components: composability. You can nest your regular markup inside multiple custom elements; something that is can’t do.

The other exciting approach doesn’t exist yet: custom attributes. Again, they’d be a great way of using composability to turbo-charge your existing HTML in all sorts of ways.

Thursday, April 23rd, 2026

Sunday, April 19th, 2026

A row of fiddlers playing in a pub. An accordion player and two fiddlers playing in a row.

Sunday session